Blog on sensory

Unconsciously Biased by claire sokell thompson

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Are you unconsciously biased? Last week Campaign Underground challenged delegates to explore and confront their own Unconscious Bias. We designed three sensory experiences to explore unconscious bias through voice, music and smell. Click here for more information on workshops and Unconscious Bias and The Senses.

Wizard of Oz style, we asked everyone to listen to the voice behind a curtain and answer a live survey about their perceptions and assumptions about age, class, intelligence, job, sexuality, status, wealth, education, ethnicity and behaviours. How do you feel about the person: would you hire, work for, date, become a friend of the person based on their voice?

We're fascinated with the results and want to extend the conversation outside the conference. Vetyver Voices #vetyvervoices is a campaign to collect, share and listen to voices and provide a platform to explore and discuss the assumptions and value judgements we make without realising. Visit www.vetyver.co.uk/vetyvervoices to record share your voice and join the conversation. 

 

 

Sensory Virtual Reality by claire sokell thompson

Image by Nan Palmero Creative Commons 2.0 licence

Image by Nan Palmero Creative Commons 2.0 licence

We are increasingly asked about virtual reality which spurred us to think seriously about how it relates to sensory experience and the potential for this emerging group of technologies. How can sensory design be used to improve the overall VR experience?

Reality itself is essentially virtual: it's what our brain tells us is real from the received sensory inputs. So it follows that true immersive VR needs to pay attention to all of the senses.

VR headsets from the likes of Oculus, Samsung and others have been getting a lot of attention.  The technology is progressing at a pace, but, with the exception of a few prototypes, they focus on our ability to SEE and HEAR the world around us. The bulky gear almost entirely covers the face, concentrating on these senses, obscuring and confusing others and even contributing to motion sickness. It’s worth considering whether this is the ‘reality’ you want your customers to associate with your brand.

Smell, taste, touch, temperature, balance, wind, perception of depth and many lesser known senses contribute to an engaging experience. And the technology for these seems a long way off.

At Vetyver, authenticity is important to us and when considering VR for a project, this is at the forefront of our thoughts.

The best examples of VR go beyond the video game extension style headset. They harness the power of technology to tell a story and are not led by it. Good VR draws on the qualities which are important for us in all our work be this storytelling, sound design, scent and the way that all of them combine. To give a couple of examples,  this installation from Nick Ryan is truly transportative in two senses of the word. And The Guardian have cleverly used a deceptively simple VR experience of a prison cell to accentuate artful sounds design and storytelling.

Is VR the right choice? You want to create moments of joy for your customers which are authentic, memorable and in tune with your brand values. In any situation, be this shop, exhibition or in bar experience, you want your customers completely emerged in your brand and your values. Is a headset experience doing this? There is a danger of you becoming a shop window for the hardware.

New VR technology is fun and we will certainly enjoy pushing it to to the limits of its potential. We are a long way away from a virtual world which comes anything close to the real one. For us, authenticity will always be the ultimate aim.

Sometimes, the thing which smells most like a lemon, is well, a lemon. Take a step back. How do you want your brand to FEEL?

To chat about Sensory Virtual Reality email us at feel@vetyver.co.uk

Photo by Matt Biddulph under creative commons 2.0

Photo by Matt Biddulph under creative commons 2.0

Gallery soundscapes by claire sokell thompson

A really lovely project. Insightful, inspiring and intelligent in approach, joyfuy in its execution. Oh and two opposing opinions: It's Nice That being, well, nice http://www.itsnicethat.com/articles/national-gallery-soundscapes and The Guardian being scathing http://www.theguardian.com/artanddesign/2015/jul/12/soundscapes-review-feeble-wrong-headed-national-gallery-worst-idea

Feel the love by claire sokell thompson

Interesting article in Harvard Business Review exploring the commercial value of conneting with customers emotionally. Their assessment is that when companies connect with customers’ emotions, the payoff can be huge. What they don't explore is the power of engaging the senses to create emotional connections which is a shame given that stimulating the senses is one of the most direct routes to emotional appeal. 

https://hbr.org/2015/11/the-new-science-of-customer-emotions?referral=00205&cm_mmc=email-_-newsletter-_-bestofissue-_-bestofissue_date&utm_source=newsletter_bestofissue&utm_medium=email&utm_campaign=bestofissue_date

 



Sensory Shudder by claire sokell thompson

Red Velvet Oreos

The gap between a cupcake and a cookie is slim, so why does this just seem so wrong? For most, the Oreo brand is firmly rooted in childhood and our adult foray is based on nostalgia.

Oreos hop the divide from childhood to adulthood as a trip down memory lane and as an ingredient in puddings. But to adopt the mantle of red velvet just doesn't work.  Is it because Red Velvet cakes are an adult concept, rooted in seduction, or is it because Red Velvet cakes already teeter on a sensory line between divine and vile? The sensory conceipt of heavy fabric, stem roses and blood render them almost inedible, but the lightness of cake, purity of snow and butter clouds seem to pull Red Velvet back from the brink of the macabre. 

Not so with the Oreo. Hard, artficially flavored, cream cheese flavored 'creme', sandwich biscuits. Red. Sensory Shudder. Limited edition a good move wethinks.

Seriously colourful by claire sokell thompson

Colour doesn't really exist, yet football teams with a red kit are statistically more likely to win than teams in other colours (tell that to Chelsea fans); coloured placebo pills affect how effective the pill is (apparently red makes us more sexually receptive and blue more relaxed, um Viagra?); percieved colour changes completely by what's next to it (turn grey to yellow by changing adjacent colours); and Isaac Newton randomly named the colours of the rainbow. 

Cultural responses to colour differ substantially, but they are still common associations and and influence mood and expectation. It's all in the mind but then that's pretty much where everything lies. 

A great article exploring facts and fiction of colour.

Long lost tradition? by claire sokell thompson

On two flights last week it occurred to us that the absence of the once-great tradition of handing out sweets on landing and take-off is a not only a loss to flyers, but also a missed opportunity to airlines. Iconic confectionary which becomes part of the ritual of flying with a specific carrier that can be enjoyed on the plane and taken home could be a lovely way of enhancing experience and increasing the reach of your brand. A stick of rock for British Airways, Life Savers for American Airlines? Perhaps not: "Attendants prepare for take-off, LifeSavers anyone?"!

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Hotel Costes: Living the dream by claire sokell thompson

What is a sensory brand? Hotel Costes. Starting with an interiors brief of 'all things in excess', and adding music, art, gastronomy, flowers, scent and live performance, Hotel Costes delivers sensual opulence at every turn. From developing 6 signature scents, a full range of candles and beauty products on sale; the most heavenly Rose Shop; Fragrance Boutique; PalaceScope gallery; to their online radio station, selling your own compilations and albums and then of course the bars and restuarant. Truly a hotel appealing to all senses, building an incredible brand and opening plenty of new revenue streams as well. Hotel Costes, we salute you. 

Signature scents by Hotel Costes

Signature scents by Hotel Costes

The label left behind by claire sokell thompson

We are loving this sculpture by artist Zebedee Helm. It was discovered when hunting for images of Imperial Leather, half used with the label sticking up. It takes me straight back to my Grandad's bathroom, an electric wall heater and the aroma of Brylcream. The special column created by the refusal of the label to disappear is a unique experiential differentiator and we hope they never do anything daft like get rid of it because it wastes soap or doesn't feel very nice. 

We think Imperial Leather should be buying the sculpture and offering it as a competition prize and commissioning other work of this nature to celebrate their point of difference. I suspect they would find a whole community of unknown trad soap fanatics.

Imperial Leather scuplture made out of (wait for it) Bath Stone, by Zebedee Helm. 

Imperial Leather scuplture made out of (wait for it) Bath Stone, by Zebedee Helm.